Honoring Robert Redford at Home

Robert Redford will be honoured “at home.”

The Sundance Institute is launching a three-part series celebrating Redford’s enduring legacy, both as an artist and as the founder of the Institute.

The first event in the series takes place on February 10. Thankfully, it will be available online alongside a live audience. You can register here:

https://collab.sundance.org/catalog/The-Sundance-Institute-Founder-Series-Honoring-Robert-Redford-with-David-Lowery

I also stumbled upon a 2016 interview where Redford reflects on the early years of the Sundance Film Festival:

“It started in ’85 and there was no support at all. There was one theater, the Egyptian. Maybe three restaurants in town. I wasn’t sure it was going to work. It looked like a risk, it wouldn’t pay off. Just a few people came, maybe a hundred people wandered around wondering what was going on in this theater, and we had maybe 25 films, six documentaries, and that’s how it started. So for three years we really struggled. Until Sex, Lies, and Videotape came through. Then suddenly word got out that something was going on over here.”

Continue reading “Honoring Robert Redford at Home”

Pazartesi Script Club, Year One

Facebook memories keep reminding me, though I don’t really need them. I was already in a reflective mood with the year coming to an end. So here’s a little recap of my script club in 2025.

1. How it started: I was reading and analysing scripts on my own, reverse-engineering them to understand what made stories work. Then I discovered monthly script clubs and quickly fell in love with the idea. Inspired by CenterFrame’s Script Club and Sundance Collab, I founded my own script club in November 2024.

2. The name “Pazartesi”: It means “Monday” in Turkish. Somehow, despite its usual negative associations, I realised I actually love Mondays. I love their seriousness, that sense of beginning, the feeling that everything is still possible. Just like screenwriting, it requires discipline, but it’s also fun and exciting. Since it also marks time, it’s easier for it to feel like a tradition: meeting on a Monday once a month.

3. Groundhog Day: Groundhog Day is simply my all-time favourite movie, so it naturally became the subject of our first meeting. I was happy to find the script online, but as I kept reading, I realised it wasn’t the final draft. There were major differences between the version I had and the finished film. I got quite frustrated. My deep-dive internet search for the final version led nowhere, so I decided to ask the screenwriter himself, Danny Rubin. Audacity? Maybe. But I had nothing to lose.

4. Danny Rubin is my pen friend (not really): I sent an email explaining the situation, and he replied quickly. Not only did he kindly share a scan of the shooting script, but he also explained how Harold Ramis added an opening scene after test screenings and how Bill Murray improvised some of his lines.

Continue reading “Pazartesi Script Club, Year One”

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